The Dish pointed me toward two great observations on this lazy Sunday road trip. The first is when
Alice Gregory contrasts the drama of nature on the US west coast with the east coast:
...what the East Coast lacks in menacing spectacle it makes up for in a sort of scaled-down obedience. East Coast nature yields to us. With its lapping, Amagansett waves and sweet sugar maples, the wild here, such as it is, seems to be ours for the sculpting. Perceiving nature’s rhythms feels less daunting, and our observations can be quieter, more microscopic. There are no incisor-like mountains or blazing forest fires to blast your sense of self. It’s a place where a poetic feeling can be maintained in relative peace, where the flora, fauna, and mild geology make space for introspective rumination and a notion of society. You can nurture a private sense of romance. The East Coast does not demand that you bow down before it in awe, nor does it require constant, humble apology for being tiny and human. You can be surrounded by the quaint prettiness of nature, not terrorized by its beauty as you are in California.
The second is
Frank Wilson's thoughts on magical thinking:
I have certain stones that I feel especially attached to and have from the moment I first laid eyes on them. I feel similarly attached to my house plants. I think of them as persons. I feel certain they have a sense of who I am. ... Unfortunately, we tend to run from our own mythologies, or to bury them away, afraid that if others learn of them they will think us eccentric at best or else flat-out nuts. But such a personal mythology is actually the record of our profoundest self’s encounter with the world. My own, of course, is grounded in my Catholic faith. But one’s faith needs to be lived as a musical score is played — not with metronomic monotony, but with a generous dash of rubato.
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