First Lines of Julia Voss' "Hilma af Klint"

 "What kind of world was Hilma af Klint born into in 1862? Which paths were set, which doors were closed, and which were open to a young girl? When the English feminist Mary Wollstonecraft visited Sweden at the end of the eighteenth century, she was appalled by what she saw." 

- Julia Voss, Hilma af Klint, a Biography

I only recently discovered Hilma af Klint's amazing paintings. She creates colorful organic mandala-like patterns that pulse and vibrate with life. This book is one of the first biographies that I know of her life. It's interesting and readable and filled with reproductions and full-color prints. So far my only quibble is that while i'm gaining insights into af Klint's life, it doesn't have the immediacy of seeing her life though her personality (like, say, John Richardson's Picasso bios) perhaps due to the lack of primary materials. Still, there's a lot to learn about af Klint's situation and motivations; one of the most interesting so far is that her work drawing illustrations for veterinarian reference books inspired some of her best paintings:

"The photographs' black backgrounds set off the bright circle of the petri dish where the tiny life forms swarm and grow. Hilma would later use the composition in the 1907 series The Large Figure Paintings, which looked at the world as if through a microscope." p. 108  

I have a print of The Ten Largest No 2 - Childhood and this book helps me to explore it's depths though the eyes of it's creator - no small feat.

Book Review: Bob Mehr's Trouble Boys

The Replacements are an odd band. I feel that they're both over and under rated. They created some powerfully melodic rock n' roll that, underpinned by Paul Westerberg’s clever word play, provided a template for many to express sensitivity disguised by loud distortion and bluster. On the other hand, they were sloppy and in desperate need of editing – some of their music and lyrics sound tossed together at the last minute.

Trouble Boys explores this dynamic and much more. Bob Mehr spins a comprehensive (and well documented) look at the band, painting a vivid picture of early 80s Minneapolis, and the often heartbreaking background of the ‘mats – especially Bob Stinton, who had a truly horrific childhood. It’s almost enough to excuse how often the band sabotaged their career by falling (drunk) on the wrong side of the fine line between good ol’ rock n’ roll rebellion and plain old assholery. I knew they behaved badly, but I wasn’t expecting them to be as horrible and offensive as they come off here.

All this lead me to read Trouble Boys as an addiction book. The drinking and drugging stories – and there are a LOT of them – can be amusing, but the more they pile up, the more difficult it is to observe so much self-destruction. They were fucked up drunk addicts and I left the book pondering what their lives would have been like if the band could have coped – even just a little bit! – with their talent and success.

But their myth is all about that they couldn’t: that they felt too much, drowned it in booze, and paid a heavy price. Poor Bob died, Tommy grew up to be a professional musician (and member of Guns n' Roses!), Chris (a strangely vacant presence in the book) faded away into visual art, and Paul never found that illusive balance of improvisation and polish that could endear him to the masses. While Bob’s story is interesting, Paul’s story is riveting, from watching him struggle to come up with his moments of musical genius to the story of him clean and sober (the tale of him coaching little league with a SpongeBob hat is priceless).  I also appreciated Mehr’s insights into the music, which let me hear their albums – especially Tim and their requiem All Shook Down – in a newly revelatory light.